File:Meyerbeer_d'après_P._Petit_b_1865.jpg · Wikimedia Commons · See Wikimedia Commons
Giacomo Meyerbeer
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German-French composer
OverviewAI-generated
Giacomo Meyerbeer, born Jakob Liebmann Meyer Beer in 1791 in Tasdorf, Berlin, was a German composer, conductor, and music director. A member of the Jewish ethnic group, he held citizenship in the Kingdom of Prussia. His musical career focused on the opera genre, with notable works including *Le prophète*, *L'étoile du nord*, *Dinorah: the pilgrimage to Ploërmel*, *L'esule di Granata*, and *Il profeta*. He studied under Muzio Clementi, Carl Friedrich Zelter, Georg Joseph Vogler, and Franz Lauska.
Meyerbeer received several honors, including the Commander of the Legion of Honour, the Bavarian Maximilian Order for Science and Art, the Pour le Mérite, and the Knight of the Legion of Honour. He was also an autobiographer. He died in Paris in 1864 and was buried in the Schönhauser Allee Jewish Cemetery. His siblings included Wilhelm Beer and Michael Beer, and his mother was Amalie Beer.
Synthesized by Vinony from 42 facts across 8 sources: Wikidata, Crossref, Open Library, MusicBrainz, Last.fm, TMDb, Europeana Sparql, Vinony graph. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.
Person · Open Library
- Born
- 1791
- Died
- 1864
- Works
- 432
Top works
- Dinorah: the pilgrimage to Ploërmel
- L'étoile du nord
- Le prophète
- L'esule di Granata
- Il profeta
via Open Library + Wikidata
Film & TV
Sound · Tasdorf, Berlin, Prussia [now Germany]
via TMDB
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Origin
- Germany
- Active from
- 1791
- Active to
- 1864
Discography
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 29,576
- Total plays
- 138,282
Tags
Giacomo Meyerbeer (September 5, 1791 – May 2, 1864) was a noted German-born opera composer, and the first great exponent of Grand Opera. Meyerbeer was born to a Jewish family in Tasdorf, near Berlin, Germany with the name Jacob Liebmann Beer. His father was the enormously wealthy financier Jacob Judah Herz Beer (1769-1825) and his much-beloved mother, Amalia Liebmann Meyer Wulff (1767-1854) also came from the wealthy elite. Their other children included the astronomer Wilhelm Beer and the poet
Recent publications · Crossref
5 total works indexed
- The Internet of Things: A survey
· 2010 · cited 11,434x
- THE MIRROR-NEURON SYSTEM
· 2004 · cited 5,805x
- The Shared Socioeconomic Pathways and their energy, land use, and greenhouse gas emissions implications: An overview
· 2017 · cited 5,557x
- Epidemiology, Patterns of Care, and Mortality for Patients With Acute Respiratory Distress Syndrome in Intensive Care Units in 50 Countries
· 2016 · cited 4,788x
- Baseline Characteristics and Outcomes of 1591 Patients Infected With SARS-CoV-2 Admitted to ICUs of the Lombardy Region, Italy
· 2020 · cited 4,272x
via Crossref · CC0
Works in European collections
36 objects attributed to Giacomo Meyerbeer, held across European museums, libraries & archives · via Europeana
Il crociato in Egitto [Música notada] :]grand'opera del Sigr. Mº Giacomo Meyerbeer
Roberto il diavolo [Música notada]: opera in cinque atti
Roberto il diavolo [Música notada] :]melodramma in 5 atti posto in musica del Maestro G. Meyerbeer
Roberto il diavolo.. Acto 3º, escena 2ª,, Valzer infernale [Música notada]
La stella del nord. Recvo. e romanza : Beati i dì (Pietro) (B.)
La stella del nord.. Canto bacchico : Graziose vivandiere (Pietro) (B.)
Valse infernale de Robert le diable [Music noticed]
Schiller-Marsch [Música notada] :]marche triomphale
[Ouverture de L'étoile du Nord de Meyerbeer] [Música notada] :] [supplement pour la jouer à deux orchestres]
L'étoile du Nord .. Ouverture [Música notada] :]opéra comique en 3 actes
Le croisé en Égypte [Música notada]: opéra [Música notada]
Le croisé en Égypte [Música notada]: opéra
El profeta.. Marcha de la coronación =O propheta. Marcha da coroaçâo
Beautiful fishermaiden [Música notada]
Les Huguenots [Música notada] :]opéra en 5 actes
Arie favorite nell'opera Il crociato in Egitto
Ouverture et choeur d'introduction de l'opéra Robert le diable [Música notada]
Suona funera, Inno di morte, nel Crociato in Egitto : con accompagnamento di piano forte
Va gia varcasti indegno, Scena e duetto, nel Crociato in Egitto : con accompagnamento di piano forte
Le prophète [Música notada] :]a grand opera
L'africaina.. Atto I, , Recitativo e romanza, Addio, terra nativa [Música notada] :]opera in 5 atti
Le pardon de Ploërmel de G. Meyerbeer [Música notada] : morceau de salon pour flûte avec accompt. de piano
Le pardon de Ploërmel de G. Meyerbeer [Música notada]
El profeta [Música notada] : ópera de Giacomo Meyerbeer
Krönungsmarsch [Música notada] : aus der Oper Der Prophet
Roberto il diavolo.. Scena ed evocazione, Suore, che riposate [Música notada]
Le prophète [Música notada] :]opéra en 5 actes
Le pardon de Ploërmel [Música notada] :]opéra-comique en trois actes
Roberto il diavolo [Música notada]: opéra en 5 actes pour chant et piano
Gli Ugonotti [Música notada] :]opéra en 5 actes de Giacomo Meyerbeer
The Prophet [Música notada]
L'africaine [Música notada] :]opéra en 5 actes
Preludio é coro delle donne, acto 3º [Música notada]
Roberto il diavolo [Música notada] : opera-ballo in cinque atti di Giacomo Meyerbeer
Il profeta [Música notada] :]opéra en 5 actes pour chant et piano
L'Étoile du Nord [Música notada] :]opéra-comique en trois actes
~40 min read
Encyclopedic overview
Giacomo Meyerbeer, engraving from a photograph by Pierre Petit (1865)
Giacomo Meyerbeer (born Jakob Liebmann Meyer Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera Robert le diable and its successors, he gave the genre of grand opera "decisive character". Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard that helped to maintain Paris as the opera capital of the nineteenth century.
Excerpted from Wikipedia’s “Giacomo Meyerbeer” article, available under the CC BY-SA 4.0 licence.