Giuditta is an operatic '' (German for musical comedy'') in five scenes, with music by Franz Lehár and a German libretto, by and Fritz Löhner-Beda. Scored for a large orchestra, it was Lehár's last and most ambitious work, written on a larger scale than his previous operettas. Of all his works it is the one which most approaches true opera, the resemblances between the story and that of Bizet's Carmen and its unhappy ending heightening the resonances. Perhaps the best known song in the work is the soprano aria "", sung by Giuditta in the fourth scene. Another strong influence, especially for t
Giuditta is an operatic '' (German for musical comedy'') in five scenes, with music by Franz Lehár and a German libretto, by and Fritz Löhner-Beda. Scored for a large orchestra, it was Lehár's last and most ambitious work, written on a larger scale than his previous operettas. Of all his works it is the one which most approaches true opera, the resemblances between the story and that of Bizet's Carmen and its unhappy ending heightening the resonances. Perhaps the best known song in the work is the soprano aria "", sung by Giuditta in the fourth scene. Another strong influence, especially for the North African setting, was the 1930 movie Morocco, starring Marlene Dietrich and Gary Cooper in very similar central roles, she being a singer-dancer, he being a soldier.
==Production history== The work received its first performance at the Vienna State Opera on 20 January 1934, with Jarmila Novotná and Richard Tauber in the leading roles. The premiere attracted more attention than any of his previous works. It was broadcast live on 120 radio stations across Europe and the United States and ran for 42 performances in its debut season. Despite this initial interest, Giuditta soon faded from the repertoire.
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