In music, hocket is a rhythmic and linear technique involving the alternation of notes, pitches, or chords. In medieval practice, a single melody is shared between two (or occasionally more) voices such that one voice sounds while the other rests, creating a staggered, interlocking texture.
In music, hocket is a rhythmic and linear technique involving the alternation of notes, pitches, or chords. In medieval practice, a single melody is shared between two (or occasionally more) voices such that one voice sounds while the other rests, creating a staggered, interlocking texture.
==History== In European music, hocket (or hoquet) was prominent in vocal and choral compositions of the 13th and early 14th centuries. It was a defining feature of the Notre Dame school during the ars antiqua period, appearing in sacred vocal music and string compositions. By the 14th century, it was more common in secular vocal music. Though the term originates in medieval French motets, similar techniques appear globally under different names.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).