Ida Friederike Görres

Quotes

• “genuine continence and virginity are rare and costly achievements - admirable and really extraordinary; the real thing , nota bene, not simply a shrivelling of Eros-power by means of life-long taboo injections. The Ancients knew this - they called chastity, honestly, simply and humbly, a gift, a charisma, to be implored from God with tears and in humiliating experience - not just a simple athletic feat of will-power and self-control.”
• “Once again the tide of Carmelite spitrituality is drawing me, like a current, and, yet again, I sense its dangerous challenge to my own appointed way. Utter nakedness, utter rejection, utter renunciation - how tempting is this stream of spirituality, with the tremendous nimbus of its glorious and venerable past!”
• “The close affinity between sexual Eros and deceit is very startling - as in infatuation, infidelity and jealousy: " Quoniam lumbi mei repleti sunt illusionibus. " For, isolated, Eros is in every sense the most treacherous counterfeit of love, sending a continual flow of self-deception and delusion throughout the world, etc.”
• “I've just finished reading Shakespeare's Sonnets, that is, I've read and understood them for the first time. One passionate, desolate lament - immeasurable and inconsolable - for the waning, wasting and passing of beauty. At the same time there's something disturbingly un-Christian here - the utterly heathen, desperate keening of the dirges, the grisly dances of death, danses macabres, in which death is nothing but the end, finality - destruction, not transition.”
• “Isn't the very fact that convents exist dazzling evidence enough of the presence of the Spirit, unsatisfactory and odd as their inmates often are?”
• “Goethe, whose letters I've been reading very intensively during the past few weeks, is always stressing Verträglichkeit - agreeing to live and let live - as the most important element of friendship: we shouldn't try to change people, but simply let them be as they are, making the best of even partial concord, instead of trying to force a fictitious perfect harmony.”

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