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Mavra () is a one-act comic opera composed by Igor Stravinsky, and one of the earliest works of Stravinsky's neo-classical period. The libretto, by Boris Kochno, is based on Alexander Pushkin's The Little House in Kolomna. Mavra is about 25 minutes long, and features two arias, a duet, and a quartet performed by its cast of four characters. The opera has been characterised as both an homage to Russian writers, and a satire of bourgeois manners and the Romeo and Juliet subgenre of romance. Philip Truman has also described the music as satirising 19th-century comic opera. The dedication on the s

Key facts

Opera.name
Mavra
Opera.type
Comic opera
Opera.composer
Igor Stravinsky
Opera.image
Mavra by L. Bakst 01.jpeg
Opera.caption
Sketch of a costume by Léon Bakst
Opera.librettist
Boris Kochno
Opera.language
Russian
Opera.premiere_location
Théâtre de l'Opéra Paris

via Wikipedia infobox

Wikidata facts

Duration
25
Image
Mavra by L. Bakst 01.jpeg
Show 6 more facts
number of parts of this work
1
date of first performance
1922-06-03
title
Мавра
Commons category
Mavra (opera)
publication date
2000-00-00
orchestration
S,M,A,T; 3(III=picc).2.corA.2.Ebcl.2-4.4.3.1-timp-strings(2vln.1vla.full complement of vlc and db)
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Article

7 sections
Contents
  • Synopsis
  • Roles
  • Numbers
  • Recordings
  • References
  • Further reading
  • External links

Mavra () is a one-act comic opera composed by Igor Stravinsky, and one of the earliest works of Stravinsky's neo-classical period. The libretto, by Boris Kochno, is based on Alexander Pushkin's The Little House in Kolomna. Mavra is about 25 minutes long, and features two arias, a duet, and a quartet performed by its cast of four characters. The opera has been characterised as both an homage to Russian writers, and a satire of bourgeois manners and the Romeo and Juliet subgenre of romance. Philip Truman has also described the music as satirising 19th-century comic opera. The dedication on the score is to the memory of Pushkin, Glinka and Pyotr Ilyich Tchaikovsky.

Mavra premiered at the Théatre national de l'Opéra in Paris on 3 June 1922, under the auspices of Sergei Diaghilev, staged and choreographed by Bronislava Nijinska, conducted by Grzegorz Fitelberg, and with Oda Slobodskaya, Stefan Belina-Skupevsky, Zoya Rozovskaya, and Yelena Sadoven in the original cast. The opera was a failure at the premiere, partly because the large space of the Paris Opéra overwhelmed the small scale of the opera. One critic, Émile Vuillermoz, so enraged Stravinsky that he cut the review out and pasted it onto his manuscript copy.

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