
Hungarian-American composer (1907–1995)
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Sound · Budapest, Austria-Hungary [now Hungary]
Miklós Rózsa (18 April 1907 – 27 July 1995) was a Hungarian-born composer trained in Germany (1925 – 1931), and active in France (1931 – 1935), England (1935 – 1940), and the United States (1940 – 1995), with extensive sojourns in Italy from 1953. Famous for his nearly one hundred film scores, he nevertheless maintained a steadfast allegiance to absolute concert music throughout what he called…
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Miklós Rózsa (Hungarian pronunciation: ˈmikloːʃ ˈroːʒɒ) or Miklos Rozsa (18 April 1907 – 27 July 1995) was a Hungarian-born composer and conductor, best known for his numerous film scores. Along with such composers as Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Max Steiner and Franz Waxman, Rózsa is considered to be one of the "founding fathers of film music. Miklós Rózsa studied the violin from the age of five. In 1926, he began studying at the Leipzig Conservatory. <a href="http
5 total works indexed
· 2020 · cited 15,320x
· 2012 · cited 2,918x
· 2022 · cited 2,875x
· 2024 · cited 2,298x
· 2014 · cited 2,198x
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Miklós Rózsa ( Hungarian: [ˈmikloːʃ ˈroːʒɒ]; April 18, 1907 – July 27, 1995) was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. Best known for his nearly one hundred film scores, he nevertheless maintained a steadfast allegiance to absolute concert music throughout what he called his "double life".
Rózsa achieved early success in Europe with his orchestral Theme, Variations, and Finale (Op. 13) of 1933, and became prominent in the film industry from such early scores as The Four Feathers (1939) and The Thief of Bagdad (1940). The latter project brought him to Hollywood when production was transferred from wartime Britain, and Rózsa remained in the United States, becoming an American citizen in 1946.
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