
thumb|upright=1.4|Carillon of a [[morris dancer over a jeweler in Munich]] Moresca (Italian), morisca (Spanish), mourisca (Portuguese) or moresque, mauresque (French), also known in French as the danse des bouffons, is a dance of exotic character encountered in Europe in the Renaissance period. This dance usually took form of medieval wars in Spain between Moors and Christians and is related to the Spanish Moors and Christians festivals. Elements of moresca include blackening of the face, bells attached to the costumes and, in occasions, men disguised as women to portray fools. An example of t
thumb|upright=1.4|Carillon of a [[morris dancer over a jeweler in Munich]] Moresca (Italian), morisca (Spanish), mourisca (Portuguese) or moresque, mauresque (French), also known in French as the danse des bouffons, is a dance of exotic character encountered in Europe in the Renaissance period. This dance usually took form of medieval wars in Spain between Moors and Christians and is related to the Spanish Moors and Christians festivals. Elements of moresca include blackening of the face, bells attached to the costumes and, in occasions, men disguised as women to portray fools. An example of the moresca can be seen in Franco Zeffirelli's 1968 production of Romeo and Juliet, which has a scene with both Juliet and Romeo dancing the moresca in a circle.
In the 15th century, the moresca is the most-often mentioned dance type in literature. On the rare occasions other dances (such as the basse danse, saltarello, or piva) are mentioned, the moresca is almost invariably described as well. In its early manifestation it appears in two forms: as a solo dance, and as a couple or group dance in which the dancers mime a sword combat between Christians and Muslims.
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