新即物主義
Sign in to saveAlso known as Neue Sachlichkeit
attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it
Key facts
- Years active
- 1920s–1933
- Location
- Weimar Germany
- Major figures
- Max Beckmann Otto Dix George Grosz Christian Schad Rudolf Schlichter Georg Scholz Jeanne Mammen
- Influences
- Post-expressionism
- Influenced
- Magic Realism
via Wikipedia infobox
Wikidata facts
- Image
- Benzinestation nijmegen.jpg
Show 5 more facts
- significant person
- George Grosz
- Commons category
- New Objectivity
- topic's main category
- Category:New Objectivity
- influenced by
- Art Deco
- on focus list of Wikimedia project
- Art+Feminism
Sources (2)
via Wikidata · CC0
Article · 中文
新即物主義（Neue Sachlichkeit，亦稱新客觀主義）是繪畫，文學與建築相關的風格，特別對於1920年代深具意義。這個名稱由1925年藝術評論家（Gustav Friedrich Hartlaub）受到在曼海姆（Mannheim）舉辦的回顧展的而聯想命名。理解新即物主義，如同表現主義、達達主義與超現實主義等藝術理論的結合，且對有著深遠的影響。
Abstract from DBpedia / Wikipedia · CC BY-SA