thumb|upright=1.2|Vibrational modes of an ideal string, dividing the string length into integer divisions, producing harmonic partials f, 2f, 3f, 4f, etc. (where f means fundamental frequency).
thumb|upright=1.2|Vibrational modes of an ideal string, dividing the string length into integer divisions, producing harmonic partials f, 2f, 3f, 4f, etc. (where f means fundamental frequency).
An overtone is any resonant frequency above the fundamental frequency of a sound (or of any oscillation). An overtone may or may not be a harmonic. In other words, overtones are all pitches higher than the lowest pitch within an individual sound; the fundamental is the lowest pitch. While the fundamental is usually heard most prominently, overtones are actually present in any pitch except a true sine wave. The relative volume or amplitude of various overtone partials is one of the key identifying features of timbre, or the individual characteristic of a sound.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).