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Pulcinella
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Pulcinella

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Also known as Punchinello

thumb|upright|Pulcinella in a 19th-century Italian print thumb|upright|Capodimonte porcelain jar with three figures of Pulcinella. [[Naples, Italy, 1745–1750.]] Pulcinella (; ) is a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. Pulcinella's versatility in status and attitude have helped maintain the character's popularity in various forms since his introduction to commedia dell'arte by in 1620.

~12 min read

Encyclopedic overview

8 sections
Contents
  • Characteristics
  • Mask
  • Costume and props
  • Etymology
  • Variants
  • See also
  • References
  • External links

thumb|upright|Pulcinella in a 19th-century Italian print thumb|upright|Capodimonte porcelain jar with three figures of Pulcinella. [[Naples, Italy, 1745–1750.]] Pulcinella (; ) is a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. Pulcinella's versatility in status and attitude have helped maintain the character's popularity in various forms since his introduction to commedia dell'arte by in 1620.

His visual appearance includes a humpback, a crooked nose, gangly legs, a potbelly, large cheeks, and a gigantic mouth. These traits were inherited from two stock characters of the Atellan Farce. He typically wears a conical hat. When depicted as a member of the upper class, Pulcinella is a cunning thief and schemer. When depicted as a member of the servant class, Pulcinella is a perverted country bumpkin. In either case, he is a social climber, striving to rise above his station in life. He is an opportunist who always sides with the winner in any situation and who fears no consequences. His main motivations are self-interest and self-preservation, yet Pulcinella tends to rescue other characters from trouble. He is said to be every character's savior, despite acting as a rebel and a delinquent.

Excerpted from Wikipedia’s “Pulcinella” article, available under the CC BY-SA 4.0 licence.

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