The Starry Night

Details Oil on canvas 73.0 x 92.0 cm. Saint-Rémy: June, 1889 F 612, JH 1731 New York: The Museum of Modern Art History Provenance Exhibitions Analysis See below Starry Night is probably Vincent van Gogh's most famous painting. Instantly recognizable because of its unique style, this work has been the subject of poetry, fiction, CD-ROMs as well as the well known song "Vincent " or "Starry, Starry Night" by Don McLean. While there's no denying the popularity of Starry Night , it's also interesting to note that there is very little known about Vincent's own feelings toward his work. This is mainly due to the fact that he only mentions it in his letters to Theo twice (Letters 595 and 607 ), and then only in passing. In his correspondence with his brother, Vincent would often discuss specific works in great detail, but not so in the case of Starry Night . Why? It's difficult to say. Starry Night was painted while Vincent was in the asylum at Saint-Rémy and his behaviour was very erratic at the time, due to the severity of his attacks. Unlike most of Van Gogh's works, Starry Night was painted from memory and not outdoors as was Vincent's preference. This may, in part, explain why the emotional impact of the work is so much more powerful than many of Van Gogh's other works from the same period. Some people have speculated about the eleven stars in the painting. While it's true that Vincent didn't have the same religious fervour in 1889, when he painted the work, as he did in his earlier years, there is a possibility that the story of Joseph in the Old Testament may have had an influence on the composition of the work. Whatever the interpretations or underlying meanings, Starry Night stands out as one of the most important works of art produced in the nineteenth century. Greg Saucier discusses the idea of a yin/yang symbol within Starry Night . Theo van Gogh Paris France 1889-91 Johanna van Gogh-Bonger Amsterdam Netherlands 1891-1905 Oldenzeel Gallery Rotterdam Netherlands 1905-06 Miss G.P. van Stolk Rotterdam Netherlands 1906-38 On loan to Museum Boymans, Rotterdam, until May 1924. Paul Rosenburg Art Gallery New York United States 1938-41 Museum of Modern Art New York United States 1941 Acquired through the L.P. Bliss bequest.