uki-e
Sign in to savethumb|Taking the Evening Cool by Ryōgoku Bridge (1745), Okumura MasanobuThis early example of an uki-e print uses Western-style perspective for the interior, but more traditional Japanese technique for the exterior. thumb|Act Four (Shindamme) from the series Uki-e Chūshingura (c. 1820s), [[Utagawa KuninaoCollection the Cincinnati Art Museum]] refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late
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thumb|Taking the Evening Cool by Ryōgoku Bridge (1745), Okumura MasanobuThis early example of an uki-e print uses Western-style perspective for the interior, but more traditional Japanese technique for the exterior. thumb|Act Four (Shindamme) from the series Uki-e Chūshingura (c. 1820s), [[Utagawa KuninaoCollection the Cincinnati Art Museum]] refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid-nineteenth century.
Around 1739, Okumura Masanobu studied European engravings to learn the rules of perspective. His engravings found their way to Japan either through Dejima or China. Masanobu was the first to apply the term Uki-e to perspective images, and Utagawa Toyoharu fully developed the form in the late 1750s when he produced colored woodblock copies of engravings after Canaletto and Guardi. Toyoharu was also the first to adapt these techniques to Japanese subjects.