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Wilhelm Kienzl

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Wilhelm Kienzl

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Austrian composer (1857–1941)

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Wilhelm Kienzl was an Austrian composer, conductor, musicologist, and pianist. Born in Waizenkirchen in 1857, he studied at the University of Vienna, the University of Music and Theatre Leipzig, and the Prague Conservatory under Wilhelm Mayer. He was a student of Wilhelm Mayer and played the piano. His works include the opera *Hassan, der Schwärmer*, *Heilmar*, *Miscellen*, and *Alpenlieder aus Deutsch-O sterreich*. He wrote in German and is associated with the romantic and 20th Century Classical genres.

Kienzl received the Ring of Honour of the City of Vienna. He died in Vienna in 1941 and is buried at the Vienna Central Cemetery. His citizenship included the Austrian Empire, Cisleithania, Austria, and Nazi Germany. He is described in the Brockhaus and Efron Encyclopedic Dictionary.

Synthesized by Vinony from 30 facts across 5 sources: Wikidata, Open Library, MusicBrainz, Last.fm, Europeana Sparql. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.

Person · Open Library

Born
1857
Died
1941
Works
29

Top works

  • Miscellen
  • Hassan, der Schwärmer
  • Heilmar
  • Alpenlieder aus Deutsch-O sterreich
  • Festschrift zum sechzigsten Geburtstage des Meisters Wilhelm Kienzl

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Gender
Male
Origin
Austria
Active from
1857
Active to
1941

Discography

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
601
Total plays
4,652

Tags

Classicalcomposeraustrianromantic20th Century Classical

Kienzl was born in the small, picturesque Upper Austrian town of Waizenkirchen. His family moved to the Styrian capital of Graz in 1860, where he studied the violin under Ignaz Uhl, piano under Johann Buwa, and composition from 1872 under the Chopin scholar Louis Stanislaus Mortier de Fontaine. From 1874, he studied composition under Wilhelm Mayer-Rémy, music aesthetics under Eduard Hanslick and music history under Friedrich von Hausegger. He was subsequently sent to the music conservatorium at

via Last.fm · Wilhelm Kienzl

Wikidata facts

Instance of
human
Given name
Wilhelm
Gender
male
Citizenship
Cisleithania
Place of birth
Waizenkirchen
Place of death
Vienna
Occupation
pianist
Languages spoken
German
Student of
Wilhelm Mayer
Genre
opera
Instrument
piano
Image
Wilhelm Kienzl by Friedrich Bruckmann (before 1898) - Archivio Storico Ricordi ICON010547 B.jpg
Show 6 more facts
Commons category
Wilhelm Kienzl
date of birth
1857-01-17
date of death
1941-10-03
name in native language
Wilhelm Kienzl
Commons gallery
Wilhelm Kienzl
Sources (2)

via Wikidata · CC0

Works in European collections

36 objects attributed to Wilhelm Kienzl, held across European museums, libraries & archives · via Europeana

The cowherd, “Zum Strassburg auf der Schanz.” [Arie of Primus Thaller from the opera “Der Kuhreigen,” 1st act, 5th scene]

The cowherd, “Zum Strassburg auf der Schanz.” [Arie of Primus Thaller from the opera “Der Kuhreigen,” 1st act, 5th scene]

Cow rhymes Madame, may I congratulate? : [Terzett from the opera “Der Kuhreigen,” 2nd act, 4th scene]

Cow rhymes Madame, may I congratulate? : [Terzett from the opera “Der Kuhreigen,” 2nd act, 4th scene]

O beautiful youth days from “Evangelimann”/[Wilhelm Kienzl]

O beautiful youth days from “Evangelimann”/[Wilhelm Kienzl]

We stay surrounded: (farewell scene, II part); duet of “Evangelimann,” I. Nude/by Wilhelm Kienzl

We stay surrounded: (farewell scene, II part); duet of “Evangelimann,” I. Nude/by Wilhelm Kienzl

Blessed are the persecution: aus “Evangelimann”/(Kienzl)

Blessed are the persecution: aus “Evangelimann”/(Kienzl)

O beautiful youth days: from “Evangelimann”/von Kienzl

O beautiful youth days: from “Evangelimann”/von Kienzl

“Der Evangelimann”: O "Jugendtage (Song of the Magdalena)/(Kienzl)

“Der Evangelimann”: O "Jugendtage (Song of the Magdalena)/(Kienzl)

The Gospel Man: “Blessed are suffering persecution”

The Gospel Man: “Blessed are suffering persecution”

What I suffered: narrative of Matthias, II part, from “Der Evangelimann”/von Kienzl

What I suffered: narrative of Matthias, II part, from “Der Evangelimann”/von Kienzl

Drinking song of the Favart “How to be miserable would be a soldier” from “Der Kuhreigen”: [Arie des Favart with choir of chasseurs from the opera “Der Kuhreigen,” 1st act, 1st scene]/[Musik: Wilhelm] Kienzl. [Text: Richard Batka]

Drinking song of the Favart “How to be miserable would be a soldier” from “Der Kuhreigen”: [Arie des Favart with choir of chasseurs from the opera “Der Kuhreigen,” 1st act, 1st scene]/[Musik: Wilhelm] Kienzl. [Text: Richard Batka]

Lug, Dursel, lug ', the evening breaks in (evening mood): from “Der Kuhreigen,” op. 85, finale, 1st act; (1st part)/[Musik: Wilhelm] Kienzl. [Text: Richard] Batka

Lug, Dursel, lug ', the evening breaks in (evening mood): from “Der Kuhreigen,” op. 85, finale, 1st act; (1st part)/[Musik: Wilhelm] Kienzl. [Text: Richard] Batka

O beautiful youth days: from “Der Evangelimann”/(Kienzl)

O beautiful youth days: from “Der Evangelimann”/(Kienzl)

"Evangelimann! : Blessed are who suffer persecution, [aria of Mathias from the opera “Der Evangelimann,” 2nd act]/Kienzl

"Evangelimann! : Blessed are who suffer persecution, [aria of Mathias from the opera “Der Evangelimann,” 2nd act]/Kienzl

“O beautiful youth days”: a. d. opera “Der Evangelimann”/(Kienzle)

“O beautiful youth days”: a. d. opera “Der Evangelimann”/(Kienzle)

“Evangelimann” [Evangelical Man]: “Selig sind die” “” “”, 1. Teil/(W. Kienzl)

“Evangelimann” [Evangelical Man]: “Selig sind die” “” “”, 1. Teil/(W. Kienzl)

Scene of the Magdalena and the Mathias from “Evangelimann”: Thank you too/(Kienzl)

Scene of the Magdalena and the Mathias from “Evangelimann”: Thank you too/(Kienzl)

Spott song of Hans from “Evangelimann”: O Zitterbart, o Zitterbart/(Kienzl)

Spott song of Hans from “Evangelimann”: O Zitterbart, o Zitterbart/(Kienzl)

EvangeliEvangelimann "[Evangelimann] (Blessed Man)

EvangeliEvangelimann "[Evangelimann] (Blessed Man)

You expensive man: (farewell scene, I. Teil); duet of “Evangelimann,” I. Nude/by Wilhelm Kienzl

You expensive man: (farewell scene, I. Teil); duet of “Evangelimann,” I. Nude/by Wilhelm Kienzl

My lust is life! / (Wilh. Kienzl)

My lust is life! / (Wilh. Kienzl)

O beautiful youth days: from “Der Evangelimann”/(Kienzl)

O beautiful youth days: from “Der Evangelimann”/(Kienzl)

He gets a red kamisol - from “Kuhreigen”: [aria from the opera “Der Kuhreigen”]

He gets a red kamisol - from “Kuhreigen”: [aria from the opera “Der Kuhreigen”]

“Evangelimann” [Evangelical Man]: “Selig sind die” “” “” [Blessed Man], 2nd part/(W. Kienzl)

“Evangelimann” [Evangelical Man]: “Selig sind die” “” “” [Blessed Man], 2nd part/(W. Kienzl)

Blessed are the persecution: from “Der Evangelimann”/Wilhelm Kienzl

Blessed are the persecution: from “Der Evangelimann”/Wilhelm Kienzl

The Cowherd: The Strasbourg member (Zum Strassburg am Schanz); [Arie des Primus Thaller from the opera “Der Kuhreigen,” 1st act, 5th scene]/(Kienzl)

The Cowherd: The Strasbourg member (Zum Strassburg am Schanz); [Arie des Primus Thaller from the opera “Der Kuhreigen,” 1st act, 5th scene]/(Kienzl)

The Cowherd: Zum Strassburg am Schanz; [Arie des Primus Thaller from the opera “Der Kuhreigen,” 1st act, 5th scene]/(W. Kienzl)

The Cowherd: Zum Strassburg am Schanz; [Arie des Primus Thaller from the opera “Der Kuhreigen,” 1st act, 5th scene]/(W. Kienzl)

Blessed are the persecution: from “Der Evangelimann”/Wilhelm Kienzl

Blessed are the persecution: from “Der Evangelimann”/Wilhelm Kienzl

“Evangelimann”: O beautiful youth days/(Kienzl)

“Evangelimann”: O beautiful youth days/(Kienzl)

The cow rhyme: Lug “, Dursel, lug”/(W. Kienzl)

The cow rhyme: Lug “, Dursel, lug”/(W. Kienzl)

O beautiful youth days: “Der Evangelimann”/(Kienzl)

O beautiful youth days: “Der Evangelimann”/(Kienzl)

Appearance of the Martha and the Mathias from “Evangelimann”: Salve Regina/(Kienzl)

Appearance of the Martha and the Mathias from “Evangelimann”: Salve Regina/(Kienzl)

O beautiful youth days [Song of the Magdalena]: from “Evangelimann”/von Kienzl

O beautiful youth days [Song of the Magdalena]: from “Evangelimann”/von Kienzl

The cow rhyme: Lug “, Dursel, lug”/(W. Kienzl)

The cow rhyme: Lug “, Dursel, lug”/(W. Kienzl)

The Cowherd: (Das Strasburglied) Zum Strassburg at Schanz; [Arie des Primus Thaller from the opera “Der Kuhreigen,” 1st act, 5th scene]/[Musik: Wilhelm] Kienzl.

The Cowherd: (Das Strasburglied) Zum Strassburg at Schanz; [Arie des Primus Thaller from the opera “Der Kuhreigen,” 1st act, 5th scene]/[Musik: Wilhelm] Kienzl.

O beautiful youth days: from “Der Evangelimann”/Wilhelm Kienzl

O beautiful youth days: from “Der Evangelimann”/Wilhelm Kienzl

The cow rhyme: Lug “, Dursel, lug” (1st act)/W. Kienzl

The cow rhyme: Lug “, Dursel, lug” (1st act)/W. Kienzl

~5 min read

Encyclopedic overview

Wilhelm Kienzl. Photo by Friedrich Bruckmann

Wilhelm Kienzl (17 January 1857 – 3 October 1941) was an Austrian composer.

Excerpted from Wikipedia’s “Wilhelm Kienzl” article, available under the CC BY-SA 4.0 licence.