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Häxan

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EntityQ1438966· pop 28· linked from 86 articles

Also known as Witchcraft Through the Ages

Häxan (, The Witch; Heksen , The Witch; English: The Witches; released in the US in 1968 as Witchcraft Through the Ages) is a 1922 Swedish-Danish silent horror essay film written and directed by Benjamin Christensen. Consisting partly of documentary-style storytelling as well as dramatized narrative sequences, the film purports to chart the historical roots and superstitions surrounding witchcraft, beginning in the Middle Ages through the 20th century. Based partly on Christensen's own study of the Malleus Maleficarum, a 15th-century German guide for inquisitors, Häxan proposes that such witch

Film · TMDB

7.6

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.

Released: 1922-09-18105 minDir: Benjamin ChristensenDocumentary, Horror, HistoryBudget: $220,000

Cast

  • Benjamin Christensen as Devil
  • Ella La Cour as Karna / Sorceress
  • Emmy Schønfeld as Karna's Assistant
  • Kate Fabian as Old Maid
  • Oscar Stribolt as Fat Monk
  • Wilhelmine Henriksen as Apelone / A Poor Old Woman

Themes

  • witch
  • superstition
  • insanity
  • mystic
  • sorcery
  • hysteria
  • satan
  • black and white
  • torture
  • devil

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Ratings

IMDb

7.6/10

19,268 votes

Year
1922
Runtime
91 min
Genres
Documentary, Fantasy, Horror

via IMDb

Key facts

Film.name
Häxan
Film.image
Haxan sv poster.jpg
Film.caption
Swedish theatrical release poster
Film.director
Benjamin Christensen
Film.screenplay
Benjamin Christensen
Film.cinematography
Johan Ankerstjerne
Film.editing
Edla Hansen
Film.studio
Svensk Filmindustri
Film.distributor
Skandias Filmbyrå (Sweden)
Film.language
Silent film with Swedish intertitles
Film.budget
SEK 2 million

via Wikipedia infobox

Internet Archive

audio

162 - Häxan (1922)

Listen at Internet Archive →

via archive.org

Wikidata facts

Duration
107
FilmAffinity ID
252111
Image
Heksen (2).tif
Show 5 more facts
publication date
1929-05-27
title
Häxan
review score
93%
capital cost
2000000
Commons category
Häxan (1922 film)
Sources (7)

via Wikidata · CC0

~19 min read

Article

23 sections
Contents
  • Plot
  • Part 1
  • Part 2
  • Parts 3–5
  • Parts 6–7
  • Cast
  • Themes and interpretations
  • Cinematic realism
  • Depiction of witchcraft and feminist readings
  • Sexual repression and freudian themes
  • Production
  • Special effects
  • Music
  • Releases
  • Reception
  • Contemporary response
  • Retrospective assessments
  • Restorations and home media
  • See also
  • Notes
  • References
  • Bibliography
  • External links

Häxan (, The Witch; Heksen , The Witch; English: The Witches; released in the US in 1968 as Witchcraft Through the Ages) is a 1922 Swedish-Danish silent horror essay film written and directed by Benjamin Christensen. Consisting partly of documentary-style storytelling as well as dramatized narrative sequences, the film purports to chart the historical roots and superstitions surrounding witchcraft, beginning in the Middle Ages through the 20th century. Based partly on Christensen's own study of the Malleus Maleficarum, a 15th-century German guide for inquisitors, Häxan proposes that such witch-hunts may have stemmed from misunderstandings of mental or neurological disorders, triggering mass hysteria.

The movie was produced by Swedish AB Svensk Filmindustri but shot in Denmark in 1920–1921. With Christensen's meticulous recreation of medieval scenes and its lengthy production period, the film was the most expensive Scandinavian silent film ever made at the time, costing nearly two million Swedish kronor. Although it received some positive reception in Denmark and Sweden, censors in countries such as Germany, France, and the United States objected to what were considered at that time graphic depictions of torture, nudity, and sexual perversion, as well as anti-clericalism.

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