Moki Cherry

Moki Cherry was a Swedish artist and designer who worked in tapestry, painting, music, clothing, collage, sculpture and ceramics. She worked with materials that have a relationship to functionality and themes relating to nature and spirituality. Moki envisioned her life and work as part of an aesthetic utopian vision of ‘home as stage, stage as home’, in which her artworks were experienced in the home, in music and theatre performances, and in art galleries. Moki Cherry was born in Norbotten, Sweden in 1943. While growing up her family lived in several small towns in the southern county of Skåne, where her father ran the train station and her mother the post office. Since early childhood Moki was absorbed by the world of animals and nature, choosing to spend most of her time in the forest instead of with other children. Moki moved to Stockholm in 1962 to study fashion and textiles at Beckman’s School of Design. Her practice later developed into painting, tapestry, music, set design, theatre, sculpture, ceramics, and collage. Moki first met the jazz musician Don Cherry in 1963 in Stockholm, while he was on tour with Sonny Rollins. In the following years Don returned to Stockholm on various tours and eventually he and Moki decided to build a life together. After graduating from Beckmans in 1966 Moki travelled to New York to work in fashion design, but instead the collaborations between her and Don began to take centre stage in her life. While Don was recording the record Where is Brooklyn? (Blue Note, 1969) Moki created the album artwork, which was the first of many album covers that she made for his music. During this time in New York Moki began making paintings, tapestries, and costumes, of which many were used to create colourful environments for Don’s performances and albums. In 1967 Moki and Don started Movement Incorporated, an art and music project that they renamed Organic Music, or at times Organic Music Theatre. Their first concert took place at ABF Huset in Stockholm. A group of musicians and dancers were invited to take part, and Moki created costumes, posters, stage sets, and a live painting during the performance. A few days later they organised a similar happening at Kunsthal Charlottenborg in Copenhagen. This is how the Organic Music tours and workshops began. In 1968 Moki, Don and their two children, Neneh and Eagle-eye, left Stockholm for good. The family moved around Europe and the USA for the next two years with no fixed home. They lived in Vermont, close to Dartmouth College, where Don was invited as a music professor and artist-in-residence for two semesters in 1970. While in Vermont, Moki and Don organised an “opera” with over 100 students at Dartmouth. Moki designed the costumes and sets, and their home acted as a rehearsal space on weekends. Later that year the Cherrys bought an old schoolhouse in the south of Sweden that became the family home. Inspired by their time in Dartmouth, the schoolhouse became a creative and educational hub for musicians, artists, friends and their children. The schoolhouse was a base for the family while they continued to tour with Organic Music performances and workshops in Europe, USA and Japan. In 1971 the Cherrys were invited by the curator Pontus Hultén to take part in Utopier och Visioner 1871-1981 (Utopias and Visions 1871-1981) at Moderna Museet in Stockholm. For three months the family lived at the museum and ran daily workshops and happenings in a geodesic dome built by artist Bengt Carling. Inside the dome Moki created costumes, tapestries, sculptures and paintings on a daily basis, including a large Mandala that she gradually painted on the floor. Throughout the 1970s Moki’s artistic vision continued to develop and transform alongside touring and raising two children. Her practice traversed the worlds of art, music and theater with diverse influences such as Indian art and music, Tibetan buddhism, fashion, traditional folk arts and dress, abstraction, cartoon