The Call

painting by Paul Gauguin (French, 1848-1903) (1943.392)

Described at

The Call | Cleveland Museum of Art

Painted on a remote island in Polynesia a year before the artist's death, The Call belongs to a series of late works that explore the mysteries of life and death. Two women stand with bare feet, as if on sacred ground. One woman gestures to someone outside the picture, perhaps responding to a "call" from fate or destiny. Gauguin realized his ambition of painting from memory and the imagination through such mysterious, dreamlike images.

clevelandart.org →

You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative. Although known as one of the founders of modern art, Gauguin found inspiration in ancient Greek, Roman, and Egyptian art. The woman with the pointing finger on the right side of this painting was taken from a figure on the Parthenon frieze. Painted on a remote island in Polynesia a year before the artist's death, The Call belongs to a series of late works that explore the mysteries of life and death. Two women stand with bare feet, as if on sacred ground. One woman gestures to someone outside the picture, perhaps responding to a "call" from fate or destiny. Gauguin realized his ambition of painting from memory and the imagination through such mysterious, dreamlike images. The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please fill out the appropriate request form linked below:

Excerpt from a page describing this subject · 5,647 chars · not written by Vinony

Wikidata facts

Image: The Call (1902) by Paul Gauguin. Original from The Cleveland Museum of Art. Digitally enhanced by rawpixel. (50623698536).jpg
Height: 131.3
Width: 89.5

Show 6 more facts