Vsevolod Pudovkin

Also known as Vsevolod Illarionovich Pudovkin, Wsewolod Illarionowitsch Pudowkin, V.I. Pudovkin, V. I. Pudovkin

Soviet film director, screenwriter and actor (1893–1953)

Film & TV

Directing · Penza, Russian Empire (Russia)

From Wikipedia, the free encyclopedia Vsevolod Illarionovich Pudovkin was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the…

Known for

The Magic Beam — Self (archive footage)1963
Ivan the Terrible, Part II: The Boyars' Plot — Nikolay the Fanatic1958
Admiral Nakhimov — Prince Menshikov1947
Ivan the Terrible, Part I — Nikola, Simpleton Beggar1944
In the Name of the Motherland — German general1943
Young Fritz — German officer1943
The Living Corpse — Fyodor Protasov1929
The New Babylon — Eastern wing shop-assistant (uncredited)1929
The Happy Canary — Illusionist1929
The End of St. Petersburg — German Officer1927

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Article

Vsevolod Illarionovich Pudovkin (Russian: Всеволод Илларионович Пудовкин, IPA: [ˈfsʲevələt ɪl(ː)ərʲɪˈonəvʲɪtɕ pʊˈdofkʲɪn]; 28 February 1893 – 30 June 1953) was a Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein; Eisenstein utilized montage to glorify the power of the masses, while Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948.

Biography