
thumb|Jali at Taranga Jain temple|Ajitnath Jain Temple, 11th-century [[Gujarat]] thumb|A jali is typically open, but this example of a 17th-century jali from the last Mughal period was owned by a wealthy merchant and probably placed with the external portal. Basically, the impression is friendly and inviting as the inside of the palace, but secure to outside world. The iris (plant)|iris pattern at the top is a departure from the earlier geometry and indicates a Persian influence.
thumb|Jali at Taranga Jain temple|Ajitnath Jain Temple, 11th-century [[Gujarat]] thumb|A jali is typically open, but this example of a 17th-century jali from the last Mughal period was owned by a wealthy merchant and probably placed with the external portal. Basically, the impression is friendly and inviting as the inside of the palace, but secure to outside world. The iris (plant)|iris pattern at the top is a departure from the earlier geometry and indicates a Persian influence.
thumb|Jali panels in Rajput architecture|Rajput style, [[Hawa Mahal, Jaipur]] thumb|Jali screens in the tomb of Akbar the Great near [[Agra, India]] A jali or jaali (jālī, meaning "net") is the term for a perforated stone or latticed screen, usually with an ornamental pattern constructed through the use of calligraphy, geometry or natural patterns. This form of architectural decoration is common in Indo-Islamic architecture and more generally in Indian architecture. It is closely related to mashrabiya in Islamic architecture.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).