Postdigital, in artistic practice, is a term that describes works of art and theory that are more concerned with being human than with being digital, similar to the concept of "undigital" introduced in 1995, where technology and society advances beyond digital limitations to achieve a totally fluid multimediated reality that is free from artefacts of digital computation (quantization noise, pixelation, etc.). The postdigital is concerned with our rapidly changed and changing relationships with digital technologies and art forms.
Postdigital, in artistic practice, is a term that describes works of art and theory that are more concerned with being human than with being digital, similar to the concept of "undigital" introduced in 1995, where technology and society advances beyond digital limitations to achieve a totally fluid multimediated reality that is free from artefacts of digital computation (quantization noise, pixelation, etc.). The postdigital is concerned with our rapidly changed and changing relationships with digital technologies and art forms.
== Theory == According to Giorgio Agamben (2002), the postdigital is a paradigm that (as with post-humanism) does not aim to describe a life after digital, but rather, attempts to describe the present-day opportunity to explore the consequences of the digital and of the computer age. While the computer age has enhanced human capacity with inviting and uncanny prosthetics, the postdigital provides a paradigm with which it is possible to examine and understand this enhancement.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).