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Witold Lutosławski
Sign in to savePolish composer and conductor (1913-1994)
Key facts
- Born
- ( 1913-01-25 ) 25 January 1913, Warsaw , Congress Poland
- Died
- 7 February 1994 (1994-02-07) (aged 81), Warsaw, Poland
- Education
- University of Warsaw
- Occupations
- Composer conductor
- Works
- List of compositions
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Given name
- Witold
- Gender
- male
- Citizenship
- Poland
- Place of birth
- Warsaw
- Place of death
- Warsaw
- Occupation
- pianist
- Languages spoken
- Polish
- Notable work
- Symphony No. 3
- Student of
- Witold Maliszewski
- Genre
- classical music
- Instrument
- violin
- Record label
- Deutsche Grammophon
- Image
- Lutoslawski2.jpg
Show 9 more facts
- place of burial
- Powązki Cemetery
- Commons category
- Witold Lutosławski
- date of birth
- 1913-01-25
- date of death
- 1994-02-07
- member of
- Académie des beaux-arts
- Commons gallery
- Witold Lutosławski
- name in native language
- Witold Lutosławski
- related category
- Category:Compositions by Witold Lutosławski
- relative
- Stanisław Dygat
via Wikidata · CC0
~33 min read
Encyclopedic overview
Witold Roman Lutosławski ( Polish: [ˈvitɔlt lutɔˈswafskʲi] ; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970).
During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renown—and Dance Preludes (1955), which he described as a "farewell to folklore". From the late 1950s he began developing new, characteristic composition techniques. He introduced limited aleatoric elements, while retaining tight control of his music's material, architecture, and performance. He also evolved his practice of building harmonies from small groups of musical intervals.
Excerpted from Wikipedia’s “Witold Lutosławski” article, available under the CC BY-SA 4.0 licence.