thumb|Youth kneeling and holding out a wine-cup. Safavid period, early 17th century. Isfahan School. Ink and color wash on paper. Freer Sackler Gallery F1928.10. thumb|Some verses in Persian nasta'liq script, probably always a single page meant for a muraqqa; 16–17th century.
thumb|Youth kneeling and holding out a wine-cup. Safavid period, early 17th century. Isfahan School. Ink and color wash on paper. Freer Sackler Gallery F1928.10. thumb|Some verses in Persian nasta'liq script, probably always a single page meant for a muraqqa; 16–17th century.
A Muraqqa ( , ) is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter. The album was popular among collectors in the Islamic world, and by the later 16th century became the predominant format for miniature painting in the Persian Safavid, Mughal Empire, and Ottoman Empire, greatly affecting the direction taken by the painting traditions of the Persian miniature, Ottoman miniature and Mughal miniature. The album largely replaced the full-scale illustrated manuscript of classics of Persian poetry, which had been the typical vehicle for the finest miniature painters up to that time. The great cost and delay of commissioning a top-quality example of such a work essentially restricted them to the ruler and a handful of other great figures, who usually had to maintain a whole workshop of calligraphers, artists and other craftsmen, with a librarian to manage the whole process.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).