File:Henri_Rousseau_(French)_-_A_Centennial_of_Independence_-_Google_Art_Project.jpg · Wikimedia Commons · See Wikimedia Commons
后印象派
Also known as postimpressionism, Postimpressionist painting
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement which developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were
AI overview
Post-Impressionism was a French art movement that emerged between 1886 and 1905 as a reaction against Impressionism's focus on realistic depiction of light and color, instead emphasizing abstract qualities and symbolic meaning. The movement encompasses several related styles and included influential artists who moved away from naturalism toward more expressive and conceptual approaches to painting.
AI-generated from the Wikipedia summary — may contain errors.
Key facts
- Art movement.name
- Post-Impressionism
- Art movement.caption
- From top to bottom: Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York
- Art movement.yearsactive
- 1886 – 1905
- Art movement.country
- France
- Art movement.majorfigures
- Émile Bernard, Paul Cézanne, Paul Gauguin, Vincent van Gogh, Henri Rousseau, Georges Seurat
- Art movement.influences
- Impressionism
- Art movement.influenced
- Fauvism,Expressionism
- Art movement.commons
- yes
via Wikipedia infobox
Wikidata facts
- Image
- Henri Rousseau (French) - A Centennial of Independence - Google Art Project.jpg
Show 5 more facts
Article · 中文
后印象派（英語：Post-Impressionism）是印象派发展而来的一种油画流派。在19世纪末，许多曾受到印象主义鼓舞的艺术家开始反对印象派。轉捩點發生於1882年爱杜尔·马奈獲頒法國國家榮譽獎，和1874年至1886年止的印象派畫家聯合畫展，這些藝術家们不满足于刻板片面的追求光色，强调作品要抒发艺术家的自我感受和主观感情，于是开始尝试对色彩及形体表现性因素的自觉运用。 后印象派将形式主义艺术发挥到极致，几乎不顾及任何题材和内容。在艺术表现上，后印象派更加强调构成关系，认为艺术形象要异于生活的物象，用作者的主观感情去改造客观物象，要表现出「主观化了的客观」。他们在尊重印象派光色成就的同时，不是片面追求外光，而是侧重于表现物质的具体性、稳定性和内在结构。
Abstract from DBpedia / Wikipedia · CC BY-SA